![light converse plugins light converse plugins](https://image.shutterstock.com/image-photo/paris-france-april-2019-converse-260nw-1377631808.jpg)
Funnily enough – these are all elements you should be considering as a designer anyway – so it’s a simple ask that as previs advances, it is increasingly able to mirror the actual wants and needs of the lighting designer in today’s market.
#Light converse plugins full
I want to see how light reacts on different surfaces and materials, to be able to accurately visualise reflections in scenery and flooring, to see gobo focuses through the air, to see trusses fly and confetti fall, shadows from performers and arena floors full of people gathering around a B stage. To be considered a worthy player in the increasingly competitive previsualisation market today, there’s a whole lot more that needs to be considered than lighting. With this in mind, I think it’s now almost reductive to consider any previs system solely on the quality of its lighting capabilities even if you’re not designing the other elements you most certainly need to include them for your programming, renders, pitching or paperwork. In recent years, several lighting previsualisation companies have observed the trends emerging in lighting and production design and dutifully kept their respective software packages moving in the same direction. I can’t remember the last “lighting” design that I did that didn’t also include other production elements, some input into other visual mediums or at the very least involve some serious practical rigging elements.
![light converse plugins light converse plugins](https://i.ytimg.com/vi/jRE_5bCz76M/maxresdefault.jpg)
Richard Neville Reviews L8 v60 Visualisation Software Posted on Thursday, May 7th, 2020Īs the traditional lines between lighting, scenic, video, rigging and other forms of visual and production design continue to blur and merge, designers have found their work frequently venturing into newer and exciting territories.